Meet these radicals and reconsider who could be in charge of the fate of mental health. Vancouver’s pioneering group MPA was Canada’ first democratic, peer-directed mental health organization. It inverted asylum hierarchies and put former patients and sympathetic lay supporters in charge. This exhibit includes a series of biographical sketches and case studies.
Call Me Crazy began with Irit Shimrat’s 1996 trans-Canada odyssey to gather the stories of key movement activists. Discovering that Shimrat still had the original cassette tapes from her interviews, After the Asylum had a selection of the archival recordings digitized, and asked the interviewees to share then and now photos and reflections on the current mad movement.
Acknowledge this woman’s patience, resilience, and personal courage in challenging medical and social labels of deficiency. Doreen Befus grew up in Alberta’s infamous Michener Centre, where she was sterilized without her knowledge or consent as part of the provincial eugenics program. Deinstitutionalized in the 1970s, she became a caregiver, an activist, and a writer.
Shrink Resistant, recalls a time when there was a zeitgeist to make the hidden public, and for the disempowered to unit and take political action. Edited by Torontonians Bonnie Burstow and Don Weitz, the book was published in 1988 by New Star, Vancouver’s venerable left wing press. This was English Canada’s first collective representation of psychiatric survivors.
Imagine encountering an exhibit of female figures, whose faces and bodies were inscribed with tales of psychiatric torture? This was Still Sane and the year was 1984. Fast forward twelve months, and Vancouver’s Press Gang publishers produced the book, taking the show’s feminist, lesbian and mad politics to a much wider audience.
The Asylum Project, the idea that neurodiverse people were sick and needed long term residential care, was an optimistic idea that ended in far-reaching failure. Visit architect Arthur Allen’s careful examination of the sites, buildings, and grounds of Western Canadian asylums and the lives of patients who lived there.
Transporting the asylum into the deinstitutionalization era, this exhibit walks you through the dissolving walls of thirteen large Canadian psychiatric hospitals. These institutions once represented the hopes of psychiatry and the state to rehabilitate citizens deemed mentally ill, serving as patient residences, staff workplaces, and sites of medical experimentation.
