Read what the practitioners have to say about their struggles to redefine themselves in a deinstitutionalized world. As the big psychiatric institutions closed in the 1960s and 1970s, many of the staff found work in community mental health programs. Historian Chris Dooley presents the stories of front-line prairie mental health workers and his own reflections.
Call Me Crazy began with Irit Shimrat’s 1996 trans-Canada odyssey to gather the stories of key movement activists. Discovering that Shimrat still had the original cassette tapes from her interviews, After the Asylum had a selection of the archival recordings digitized, and asked the interviewees to share then and now photos and reflections on the current mad movement.
Acknowledge this woman’s patience, resilience, and personal courage in challenging medical and social labels of deficiency. Doreen Befus grew up in Alberta’s infamous Michener Centre, where she was sterilized without her knowledge or consent as part of the provincial eugenics program. Deinstitutionalized in the 1970s, she became a caregiver, an activist, and a writer.
Can we use history to break down the stigma surrounding mental health? Clarissa Andrade, the Coordinator of Mental Health and Wellness Support Services at Manitoba’s Université de Saint-Boniface thinks the answer to this question is YES!
Meet a theatre crew who made their audience map out a way to humanize our broken mental health system. In 2013, Vancouver’s Theatre for Living launched Maladjusted, a production that crafted fictional scenarios from the lived experiences of cast members, using the stage as a platform to rehearse progressive changes to the current psychiatric regime.
Shrink Resistant, recalls a time when there was a zeitgeist to make the hidden public, and for the disempowered to unit and take political action. Edited by Torontonians Bonnie Burstow and Don Weitz, the book was published in 1988 by New Star, Vancouver’s venerable left wing press. This was English Canada’s first collective representation of psychiatric survivors.
Imagine encountering an exhibit of female figures, whose faces and bodies were inscribed with tales of psychiatric torture? This was Still Sane and the year was 1984. Fast forward twelve months, and Vancouver’s Press Gang publishers produced the book, taking the show’s feminist, lesbian and mad politics to a much wider audience.
The Asylum Project, the idea that neurodiverse people were sick and needed long term residential care, was an optimistic idea that ended in far-reaching failure. Visit architect Arthur Allen’s careful examination of the sites, buildings, and grounds of Western Canadian asylums and the lives of patients who lived there.
